The Journey Goes All The Way To The End

A blast from the past here, but… Captain America: The First Avenger has been bothering me ever since I first saw it. There’s so much in this film that’s brilliant. Truly brilliant. The first sixty minutes or so has a good shot at the title of Best Superhero Origin Movie Ever (only Batman Begins is a serious rival).

But then… what? There’s a bunch of stuff, not nearly enough Howling Commandos, a moment of genuine tragedy, and then the Arctic and the present day (the latter of which is actually handled really well). But none of it, well…

None of it seems to matter.

But why?

For a long while, I wondered if the movie has a villain problem. The Red Skull always felt a little out of keeping with the tone of the movie, and yes, more villain-hero screentime would certainly have helped established a meaningful conflict between them…

But I’m starting to think something else is wrong here. The real problem is, the hero’s emotional journey finishes partway through the movie.

Steve Rogers’ journey, within this movie, is essentially a quest to realise his own potential as a leader and a hero. There’s greatness in him from the start: Bucky sees it, Erskine sees it, Peggy sees it. But the rest of the world can’t. Even when he’s transformed into that deeply ironic Aryan ubermensch, the Army has no use for him except as, in his words, a performing monkey.

What Steve has to learn, ironically, is true courage. He’s always been happy to start fights he can’t win, but that’s just belligerence and self-righteousness. You can’t become a great leader that way. In disobeying orders to save his best friend, Steve assembles a team, shows leadership, and risks his life for someone he cares about. This is the moment he truly becomes Captain America –

And in any other movie, that would be the whole narrative. Bucky’s (wonderfully conflicted) shout “Let’s hear it for Captain America” feels like the last line of a movie – because, emotionally, it is. Steve has undergone his emotional transformation, for this movie at least, and the narrative should be over.

But it can’t be, because there’s still so much set-up for the Marvel universe at large to be got through.

Wait, I hear you cry: there’s Bucky’s death, for a start. Isn’t that part of Steve’s emotional journey? Yes, definitely – their relationship is the key to the whole (cinematic) Captain America universe –

But the writers have a problem here. It’s part of Steve’s emotional journey in the next movie. Hit it too hard here, and you not only risk tipping the audience off to what will happen next, but you undercut the next movie, leaving it repeating emotional beats you’ve already played here. So, inevitably, Bucky’s death has to be underplayed for the good of the larger narrative, leaving the second half of Act Two of this movie weaker than anyone would have wanted it.

And there’s the big showdown with the villain, right? Yes, but… really, where’s the emotional drive in Act Three? Aside from Steve’s final sacrifice – and remember, the teaser to the movie has already told us he survives – where are the stakes, the choices, the failures and the victories? What are we being asked to feel?

(Actually, I’m starting to think that Act Three is the weak point in many Marvel movies. Only The Avengers and Captain America: The Winter Soldier have a truly satisfying Act Three – and why? Emotional journeys. But that’s a subject for another time.)

The point here, though, is that Steve’s emotional journey is already concluded. His choices here reinforce who he is, but they don’t reveal new elements of him, they don’t change him. He’s still that person he became when he turned the Captain America persona from a stage act into a hero – and if your hero isn’t changing and growing, then the action he undertakes is inevitably flat and emotionally meaningless.

So what can we learn here?

When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. There may be several, which the original material had time to cover – and you don’t. But if you don’t find an emotional journey that will cover the whole of your chosen narrative, you end up with some scenes that have meaning, and some that just don’t…

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3 comments on “The Journey Goes All The Way To The End

  1. Becky says:

    Stray thoughts: Bucky’s reaction to post-serum Steve was an important set-up too, and one that hasn’t really paid off until Winter Soldier in terms of engagement with the character. Perhaps because it was slightly too subtle for a third act that had lots of killing Tesseract powered super Hydra Nazis. But nevertheless Bucky’s resentment as not being the protector anymore is evident, as is his new ruthlessness – for the fans that have been looking since Winter Soldier was released, there’s been plenty to pick over that wasn’t necessarily obvious the first time round. So I think the film has improved for me in that regard.

    Also, it’s a very depressing third act, as is that of Winter Soldier, because Steve twice makes a suicide play. He doesn’t last long after Bucky falls in TFA. And dropping the shield in TWS was about as significant a move as crash landing in the Arctic, because I don’t think he intended to come back from that fight. Steve Rogers is actually intensely miserable for nearly all the time we’ve seen him on screen so far, as his sadly deleted scenes in Avengers show acutely. He’s got all this compassion and goodness but the modern world disappoints him and he can’t escape the feeling that things aren’t right – of course he ends up being 100% correct about that, because his intuition is so powerful. And by the end of TWS he still hasn’t completed his emotional journey – the end of the film is the beginning of the third act of his character arc, one that I hope will include Sam Wilson and Bucky Barnes, boxsets of Community and maybe a happy smile once in a while. I can dream…

    • debbiemoon says:

      The Rogers/Wilson/Barnes Community marathon! Now that’s something I’d like to see… :)

      As you say, a lot of brave character choices across the two movies. We’ve seen a lot of superheroic man-pain over the years, but it’s rare to see someone so genuinely f***ed up by their experiences as Steve is at the beginning of the second movie. And the complexity of the ever-evolving “Steve & Bucky” relationship is a joy to behold (and clearly a joy to act!) Even romantic relationships in superhero movies are barely given such complexity and weight…

  2. […] Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you […]

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