I spend a lot of my free time hiking. Why wouldn’t I, when I’m lucky enough to live on the southern edge of the Snowdonia National Park? And one of the things you notice pretty quickly while hiking around here is that the path you’re supposed to be following is not always obvious.
That is, it’s not obvious for the next twenty or fifty yards. When you reach that mudbath hollow up ahead, which way should you go on emerging? Does the path carry straight on over those rocks, or turn left or right somewhere among them? Is this the copse of trees where you should ford the stream, or aren’t you there yet?
But here’s the thing about hiking. If the path isn’t clear right in front of you, all you usually need to do is look behind you, or much further ahead.
If the path behind you is fairly straight, and lines up with the one gap in the wall up ahead, then follow that line towards the gap and you won’t go far wrong. If you can see a clear stretch of path on the hill ahead, then take the safest path through the mud and join up with it when you can.
And that’s the best way to approach writing your screenplay.
Sitting down first thing in the morning, it’s pretty common to have no idea what was suppose to happen in this scene (even if you have an outline to work from!) It’s easy to forget what plotlines this section is supposed to join up with, what past events you’re supposed to be referencing, or what your characters are thinking and feeling at this point. So that’s when you look backwards, and further ahead.
Read back over the last ten pages or so. Maybe further back, in a story with a lot of intersecting threads. Read until you’ve hit a couple of plotlines that relate to the scene you’re writing. Then think forwards to the next scene or sequence whose purpose, theme and conflict you’re sure about.
You now know the rough bearing of the path. All you have to do is navigate through the mud of your plot until the two sections of story join up. Simple.