I’m A Success, Get Me Out Of Here!

As much as it offends my English sense of modesty to admit it, I seem to be a bit of a success now. Certainly I’m not paying the bills by working in a supermarket any more, and that’s pretty much the definition of being a successful writer, right?
Now, I’m not complaining… Well, all right, I’m a writer, we do nothing but complain! However, I love my job and wouldn’t change it for the world. But what’s interested me over the last year or so is how much actually getting to do what you want changes how you do what you want. And I’ve been noticing a few things.
Something always has to be ’your day job’. Once, I was working the tills at a certain supermarket, and going home to work on Wolfblood evenings and weekends. So writing Wolfblood was the thing I really wanted to be doing. Now I am doing it… And suddenly the other projects I’m trusting to get off the ground seem a lot more exciting and attractive than doing yet another draft of episode five!
Part of that is the attraction of the new, of course. The only script that’s ever perfect is the one you’re just about to start writing, so that’s the one that seems the most fun. But also, to an extent, Wolfblood is my day job now. I love every second of it, but it’s somehow not quite the same experience.
There’s more to writing a TV series than just writing a TV series. There are public appearances, invitations to speak to students or at festivals, meetings, visits to the set, possibilities of spin-offs and merchandise to be dealt with, and of course, endless questions on the blog and on Twitter. Writing the show only takes about six months of the year, but non-writing stuff devours a surprising amount of the rest…
It’s harder to impose your own deadlines once you’ve got used to having them imposed for you. On Wolfblood, of course, when outlines and drafts are handed in is dictated by the production schedule – and there’s always a script editor eagerly awaiting the episode you know you should be working on. But it’s fatally easy to get used to that, and to think of any day when you don’t have an externally-imposed deadline as a potential day off!
Writing anything that isn’t Wolfblood is… odd. Working on a TV series, you’re constantly handing in versions of your work and getting feedback. Reactions are immediate and honest. Ideas are shaped collaboratively. And then you return to something you’re writing on spec, and there’s just you. No feedback, no one to share ideas with, no one to remind you not to blow the budget. It feels a bit weird – and frankly, rather scary…
In other words, however much of a “success” you become, you always go back to square one for the next project. That new idea doesn’t come pre-approved, there’s no one to force you to work on it, and there’s no one rooting for it but you.
And surely that’s a good thing?

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2 comments on “I’m A Success, Get Me Out Of Here!

  1. wdjoyner says:

    David Goyer gave a BAFTA talk in Sep 2013 where he alluded to this multi-tasking problem. (He is also writing a TV series.) I think it’s in the Q+A section of his talk. You’re problem is one a I wish I had:-) Good luck on all your writing projects, Debbie.

  2. Yes I think it is a good thing. You’re where you’ve always wanted to be and all those things you mention above are part and parcel of that. However at the end of the day you are and always will be the creative force for the series and that must be incredibly satisfying. Have a brilliant 2014.

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