Of all this year’s Oscar contenders, Dallas Buyers Club is the one that seems to be flying under the radar – in the UK, at least. It doesn’t have the ground-breaking technical achievements of Gravity or the all-star supporting cast of Twelve Years A Slave. It’s a movie that promises little in the way of uplifting experiences: a movie about a man fighting the might of the pharmaceutical industry in the early days of the AIDS epidemic is never going to have a happy ending.
But it’s a tremendous piece of cinema, shot with extraordinary urgency and boasting truly Oscar-worthy performances from Matthew McConaughey and Jared Leto.
Perhaps the most extraordinary thing about it, though, is the way it illustrates the great advantage of the cinematic film – the freedom that having a captive audience gives you to present an utterly unlikeable character.
For the first twenty minutes (at least) of the movie, Ron Woodroof is not a man most of us would cultivate as a best mate. He’s a promiscuous, drug-taking drunk – and the movie makes no pretence that any of that is particularly enjoyable, even to him. We first see him taking illegal bets and trying to flee with the money. He’s homophobic, has little respect for women, and doesn’t even seem to like his own friends that much…
I did not like this guy at first. If this had been a TV show, I probably would have changed channels. And by doing so, I would have missed a tremendous piece of drama.
The brilliance of the cinematic experience is that you’re committed: you’ve paid your money, you’re in your seat with your popcorn, and you don’t want to disturb the rest of the row by walking out. So you stay – and the movie has a chance to win you over, to show you a transformation on a scale that could never have happened if it had started with a more ‘likeable’ character.
Some people say that watching a movie at home is the same as watching it in a cinema. But is it? A DVD or download, like a TV channel, is perilously easy to turn off – forcing films to compete for the audience’s attention by making characters easier to bond with, easier to immediately grasp, and of course, likeable. Dallas Buyers Club is a movie that might have tested the patience of a’ home cinema’ audience – and that means it may be one of a dying breed…